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David McCormick is artistic director of Early Music Access Project, executive director of Early Music America, a founding member of Brooklyn-based medieval ensemble Alkemie, and a 2020 and 2026 fellow of the International Center for Jefferson Studies. He plays a violin by Jonathan Vacanti, a vielle by Karl Dennis, and a rebec by Kate McWilliams.
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Megan Sharp earned her undergraduate degree in music from the College of Wooster in Ohio and holds a master’s degree in opera from the Boston Conservatory. Following graduation and a period of intense study of Baroque singing with Sally Sanford, Baroque dance with Ken Pierce, and French art song with Carole Bajac, her career has focused on performing, especially early music, and increasingly on choral conducting. She has sung with the Boston Early Music Festival, the Connecticut Early Music Festival, Ensemble Chanterelle, the Schola Cantorum, Granite State Opera, and Longwood Opera. Ms. Sharp often collaborates with organist and harpsichordist Jonathan Schakel, including concerts in Germany, the Netherlands, Boston, Michigan, North Carolina, and Virginia. In 2011 Ms. Sharp was named music director of the Charlottesville-based early music vocal ensemble Zephyrus. She has led Zephyrus in summer residencies at St. Mary’s Cathedral, Edinburgh; Trinity Cathedral, Dublin; Christ Church Cathedral, Oxford; Bath Abbey; and Chichester Cathedral. Ms. Sharp has directed choirs in churches and schools for over 25 years, and currently serves as Minister for Music and College Students at University Baptist Church in Charlottesville. In addition, she maintains a private voice studio and teaches T’ai Chi at the Charlottesville T’ai Chi Center.
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ALL WHO WANDER
A BENEFIT CONCERT FOR SIN BARRERAS Friday, October 2, 2026, at 7:30pm Christ Episcopal Church 120 W. High Street, Charlottesville VA 22902 ADMISSION: A DONATION OF ANY SIZE TO SIN BARRERAS |
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Tracy Cowart enjoys a wide range of musical interests, from twelfth-century monophony to American old-time music. Praised by the New York Times as “the real attraction” with a voice that is “light and lithe,” Tracy has performed with period ensembles including Apollo’s Fire, La Donna Musicale, Musica Sacra, the Newberry Consort, Rose of the Compass, Severall Friends, and the Washington Bach Consort.
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Brian Kay is the artistic director of the early music meets early theater group Theatro, and oversaw their international recording of music from the plays of William Shakespeare. He also works as a recording artist for the Netflix music lab and is a featured soloist on the soundtrack of their original series' The Witcher and The Decameron and created arrangements of Russian folk songs for their upcoming Guillermo del Toro film Frankenstein.
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David McCormick is artistic director of Early Music Access Project, executive director of Early Music America, a founding member of Brooklyn-based medieval ensemble Alkemie, and a 2020 and 2026 fellow of the International Center for Jefferson Studies. He plays a violin by Jonathan Vacanti, a vielle by Karl Dennis, and a rebec by Kate McWilliams.
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Sian Ricketts enjoys a multi-faceted career as a period woodwinds specialist, singer, and medieval pedagogue; she is a core member of Piffaro and Alkemie, and she also performs and records medieval, Renaissance, and baroque chamber music with ensembles including Trobár, Makaris, Theotokos, Science Ficta, and Apollo’s Fire. Sian has served on the faculties of Fordham University, Amherst Early Music Festival, and Pinewoods.
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Telephone703.587.0483
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