Patrick Dailey has been described as possessing “a powerful and elegant countertenor voice” (Los Angeles Daily News) and a “vocal standout” (Boston Classical Review). Operatic repertoire includes Oberon in Britten's A Midsummer Night's Dream, Nerone in Monteverdi's L'incoronazione di Poppea, and Belize in Eötvös' Angels in America. He performs regularly with ALIAS Chamber Ensemble, Memphis Symphony Orchestra and has appeared with the American Bach Soloists Festival, Grand Rapids Symphony Orchestra, and Baltimore Symphony Orchestra. On January 19, 2009, he sang a featured duet with Aretha Franklin as the finale for the annual Let Freedom Ring Celebration at the John F. Kennedy Center for the Performing Arts. In 2016, He made international debuts in the UK and Brazilian premieres of Hasse’s Marc’Antonio e Cleopatra with the Woodhouse Opera Festival and Il Festival de Ópera Barroca de Belo Horizonte. Additionally in 2016, Mr. Dailey made his Subculture NYC debut at the invitation of Tony Award winning composer Jason Robert Brown as a part of Brown’s broadway cabaret residency. He returned to the UK in 2017 for the international premiere of Soosan Lolavar’s I.D. Please in the Tete at Tete New Opera Festival in London. In 2018, Mr. Dailey sang the role of Mini-B/Boris the Boar in the world premiere of Dan Visconti and Cerise Jacobs’s Permadeath: A Video Game Opera with White Snakes Projects in Boston, MA to great acclaim. Recent engagements includes debuts and appearances with Austin Baroque Orchestra, the IRIS Orchestra, Music By Women Festival, and Boston Early Music Festival. He is a graduate of Morgan State University and received his masters of music in voice and opera from Boston University. In addition to his performance schedule, Mr. Dailey teachers voice and opera at Tennessee State University. For more information, visit www.PatrickDaileyCT.com